Features:
When it comes to compact effects, nine is the magic number. There are sound reasons why, twenty-five years after they were first made, you still see these effects in players' rigs. If you missed out on getting one of these classics the first time around, it's time.
AD9 Analog Delay
Discrete echo is one of the most dramatic effects in the music industry. Bulky tape and "spinning disk" units have given way to the convenience and reliability of solid state delays. The AD9 Analog Delay uses a compander with pre- and de-emphasis for an exceptionally clean delay. The Delay Time control adjusts the delay time and the Delay Level control allows the artist to adjust the mix between dry and delayed signals. The Repeat control permits the number of repeats to be controlled without runaway. Two outputs enable the dry and delayed signals to be separately routed for dramatic special movement. The quality and features of the AD9 Analog Delay make it the professional's choice. ? AD9 description in 1984 Ibanez Sound Effects catalog.
CS9 Stereo Chorus
The chorus effect uses a small time delay that's varied to produce a slight pitch bend. When the delay signal is mixed with the input (dry) signal, the resultant sound moves with a rich, thick undulation. This is the effect of multiple voices playing in unison. The CS9 Stereo Chorus provides stereo outputs that add an exciting dimension of movement to the second. The sweep speed and width controls allow the artist to elicit slow wideranging sweeps or a more rapid vibrato. The CS9 Stereo Chorus?the industry's fi nest realization of an exciting new sound. (CS9 description in 1984 Ibanez Sound Effects catalog. )
FL9 Flanger
Flanging is a time delay effect using very short time delays mixed together with the input (dry) signal. This creates a series of peaks and notches in the signal's response through the audible spectrum. When the time delay is varied, the peaks and notches move or "sweep." The FL9 Flanger features an extremely quiet time delay section creating an unusually noise-free fl ange. The sweep and width may be changed as well as overall time delay. This allows the artist to center the fl anging action in a particular part of the sound. Flange intensity may be adjusted with the feedback control. The FL9 Flanger provides quality and fl exibility that defies comparison. - FL9 description in 1984 Ibanez Sound Effects catalog.
TS808 Original Tube Screamer
TS808. the original tube screamer. It's back --- the incomparable overdrive pedal that's been described as "the Holy Grail of Tube screamers." Our 2004 TS808 reissue features the same famous standout square footswitch of the original and the even more famous warm tones of the JRC4558 chip used in most of the original TS808's. Ignore any over-the-counter lookalikes. If your tone is suffering from a lack of real warmth, the TS808 is the real, non-generic prescription.
TS9 Tube Screamer
The warmth of tube amps has been the goal for most of the over-drive pedals that exist. However, the Tube Screamer has been the choice 2nd to none by people searching for the best, because it lets the guitar sing so well in its original voice. The tone can be heard in playing by countless musicians over the years and still keeps fascinating new generations.
TS9DX Turbo Tube Screamer
"The Tube Screamer", TS9 had evolved on the same platform of TS9. The TS9DX also offers three new settings for increased low end crunch: +, Hot, and Turbo, all of which maintain the original TS9 tonal integrity.
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| Model: |
9SERIES |
| Manufacturer: |
Ibanez |
